At 40, I began to pursue a long time interest in classical sculpture and three-dimensional figures. I took anatomy classes, learned Middle Eastern dancing, practiced massage therapy and graduated from the Feldenkrais Training Program, all to learn more about the body in motion. I also studied under outstanding sculptors at the Fine Arts Academy in Loveland, Colorado. These teachers have been an enormous influence and have given me the tools I need to materialize my dream.

I spent 30 years working in clay before turning to bronze. I found that pushing the clay to its limit makes it come alive. Stretching, thinning and pulling, gives the illusion of fluidity and feeling of movement. I use texture to wake up the senses of sight and touch. Most people cannot resist the desire to touch my pieces especially the torsos, to experience their sensuality in a tactile way. Contrasting elements; smooth and textured, lights and darks, positives and negatives, create an exciting visual experience. Clay is the foundation of my creating in bronze.

In 2000, I had my first sculptures cast in bronze and this opened new worlds of possibility. I challenged myself to learn all the processes starting with mold making and taking the prints in wax. My pieces come from the foundry in the raw bronze state. I do the metal chasing, polishing and patination myself. It is hard but important work, because it teaches me about attaining the standards I want for my sculptures and what is necessary to achieve my vision in bronze.